NEW ORLEANS – The Super Bowl stage was graced by Jon Batiste, who brought a wave of creativity with him as he introduced new music, put a fresh spin on “The Star-Spangled Banner,” and highlighted his wife’s artistic flair to the world.
During his rendition of the national anthem on Sunday, Batiste not only showcased his musical talents but also played a piano embellished with a vibrant butterfly painting by his wife, Suleika Jaouad. The inspiration for this artwork came to her while they were working on their documentary “American Symphony.” His performance was further fueled by her art, the resilient spirit of the city post the New Year’s tragedy, and the memory of his late grandfather who was a veteran.
Reflecting on his performance at the Caesars Superdome, Batiste conveyed to The Associated Press that he felt a profound spiritual connection during the rendition. Following this powerful moment, on Monday, he released “My United State,” a project comprising two tracks: “Star-Spangled Blues” and “Notes from My Future Self.”
“It’s the first time in the history of the anthem that had samples included in it,” said Batiste, a Louisiana native who is a Grammy and Oscar winner and former bandleader for the “The Late Show with Stephen Colbert.” “We almost couldn’t clear the main sample that I wanted until the night before.”
Batiste, 38, said his reinvented national anthem draws from “Drag Rap” by The Showboys — better known as the Triggerman beat — a staple of New Orleans bounce and hip-hop culture. He aimed to showcase the city’s rich culture and heritage while putting his own stamp on a song that was first echoed at the Super Bowl in 1967, performed by The Pride of Arizona, the Michigan Marching Band and the UCLA Choir.
Over the years, the anthem has been reimagined by music legends like Whitney Houston, Diana Ross, Billy Joel, Beyoncé and Lady Gaga.
“It’s a lot of pieces to the puzzle,” he said. “They all come in different tempos and melodies. It’s a whole lot of things that wouldn’t never work together unless it was framed by the American ideal. I wanted to capture it in an arrangement. Just in the sound.”
In an AP interview, Batiste reflected on his wife’s resilience, new songs, an upcoming tour and his festival this weekend that will leave a lasting musical impact on New Orleans.
Batiste’s wife’s resilience shown through her painting
During the filming of “American Symphony,” inspiration struck — not just in the documentary, but on canvas. As Jaouad painted, one creation that took flight was a vivid butterfly, embodying what he calls the “power of resilience, delicate beauty, and grace.”
Jaouad’s painting was on the piano and bench Sunday.
“It’s the balance of this duality,” he said about watching his wife creatively express herself during “American Symphony,” which won a Grammy for best music film. “It Never Went Away” from the documentary also won best song written for visual media. He’s thankful for the collaboration and proud of Jaouad, a writer who is battling cancer for a third time.
In December, she revealed her diagnosis on social media.
“She’s a one of a kind human being, like a person who has so much light from within,” Batiste said. “You look into her eyes and you see the work. I’m very glad that she was able to not only survive, but have this alchemizing process of it all to lift it into something that’s even more than just a way of making lemonade out of lemons.”
He added: “This is more than just taking a bad thing and making it good. It’s almost a blessing, as wild as it is to think about it like that.”
Batiste’s anthem of growth and homecoming
While crafting “Notes from My Future Self,” Batiste had three things on his mind: returning home, the national anthem and the wide-eyed wonder of him at 6 years old.
“It really brought together so many things in my subconscious,” said the seven-time Grammy winner. “It brought them together, like all these stories, notes. What would the young me think about what’s happening now and how to really connect to this moment from their inner child plays in this song? It just came out of that.”
Batiste called the upbeat song an anthem that represents self-empowerment for himself and others too. He said making the song was a profound journey of artistic realization.
“When you hear the song and you’re listening, it’s me talking to my younger me,” he said. “But it could also be you, talking to young you. In a moment like this, it’s important for us to heal, to really thrive and be rooted in who we are. We have to go back to that kid.”
Batiste said the musical foundation came while talking to director Alan Ferguson, his frequent collaborator. He said they had a vision of using spoken word, poetry and hip-hop within the context of “radical cause, positivity and openness.”
“It’s a celebration of life,” he said. ”It’s a natural intuition and the visual possibility and the evolution of me as an artist is just me going into this new zone. … When it aligns like that, that’s how I know it’s the right direction.”
What’s next for Batiste
After Batiste’s Super Bowl performance, his next goal is creating visuals for “Notes from My Future Self” and hitting the road for a concert tour.
Full details have to yet been released, but he’s looking to perform new music and songs from Beethoven Blues (Batiste Piano Series, Vol. 1),” which reimagined the iconic German pianist’s work.
“You really get a twofer on this next run,” Batiste said.
Batiste spreads love and music before big game performance
Before delivering the national anthem, Jon Batiste brought his signature energy to New Orleans’ 9th Ward, turning a neighborhood into a stage for joy and community.
His He Gets Us Presents Jon Batiste’s Love Riot Festival transformed the grounds of George Washington Carver High School into a celebration of music, hope, and action. The event also highlighted plans for a future sports field to serve local schools.
“I wanted to make something where we go to the places that are forgotten but are the foundation,” Batiste said. “They are the foundation of why we want to come to New Orleans in the first place and go to those communities.”
Batiste, alongside Sing for Hope, led 10 New Orleans artists in creating hand-painted pianos, scattered throughout the 9th Ward as an open invitation to the festival. After the event, these vibrant instruments will find permanent homes in schools and community centers, keeping the music alive long after the final note.
“They greatest thing we can do is serve and not take it,” he said. “It’s a holistic view. … Yes, I’m honored to sing at the Super Bowl. I also want to leave something that impacts the community, my hometown.”
___
For more on the Super Bowl, visit https://apnews.com/hub/super-bowl
Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
