Salt-N-Pepa are telling their record label not to push it as they fight for the rights to their music.
In a recent lawsuit, the iconic duo responsible for hit hip-hop songs like “Shoop” from 1983 and “Push It” from 1987, have accused Universal Music Group of violating copyright laws. They claim that the music giant is not cooperating in transferring the rights to their original recordings.
Cheryl “Salt” James and Sandra “Pepa” Denton took legal action in a federal court located in New York. They argue that according to the copyright act of 1976, artists have the right to reclaim ownership of their master recordings after a certain period, which they believe applies to them now.
This legal dispute has resulted in UMG removing Salt-N-Pepa’s music from various streaming platforms. The situation reflects a broader trend in the music industry where artists are capitalizing on the value of their music catalogs, while some are facing challenges related to ownership rights and previous contractual agreements.
“UMG has indicated that it will hold Plaintiffs’ rights hostage even if it means tanking the value of Plaintiffs’ music catalogue and depriving their fans of access to their work,” the suit says.
UMG representatives did not immediately respond to an email seeking comment.
The lawsuit suggests that situations like Salt-N-Pepa’s are the very reason the provision of the copyright act exists. It allows artists who made deals “at the beginning of their careers” when they were relatively powerless to use the cultural standing and musical legacy they later established.
The suit says James and Denton filed to terminate their agreement under the law in 2022, “eager to retake full ownership of their art and legacy,” but that, “Inexplicably, UMG has refused to honor” their rights.
James and Denton say that by law, they should now be able to own early recordings including those from their 1986 debut album, “Hot, Cool & Vicious,” and 1987’s “Push It,” a B-side whose remix caught on and became their breakthrough hit.
They say other recordings should legally be theirs later this year and in 2026, including the 1993 album “Very Necessary,” which includes “Shoop” and “Whatta Man.”
The duo is seeking both actual damages for money lost and punitive damages in amounts to be determined for UMG’s actions. The suit says actual damages could “well exceed $1 million.” They also want a permanent injunction confirming their rights to the recordings.
They said by pulling the songs from streaming and other commercial platforms, the label has “maliciously punished” Salt-N-Pepa “for daring to assert their rights.”
The label’s lawyers said in letters included as exhibits in the lawsuit that they have encouraged mediation and want to reach a “mutually acceptable resolution.”
But the UMG lawyers said in the letters that James and Denton were not even personally parties in the 1986 agreement that covered their initial albums, and there is no evidence that they granted the label copyright that they can now reclaim.
UMG maintains that the recordings were “works made for hire,” which would not allow for the reclaiming of rights. Salt-N-Pepa’s lawsuit says the women’s agreements with the label make it very clear that they were not.
The Queens, New York, duo of James and Denton became Salt-N-Pepa in 1985. They were later joined by DJ Spinderella, who was not part of the early agreements under dispute and is not involved in the lawsuit.
“Salt-N-Pepa boldly changed the look of rap and hip-hop,” the lawsuit says. “They were not afraid to talk about sex and to share their thoughts about men. Their sound recordings ‘Let’s Talk About Sex’ and ‘None of Your Business,’ for example, were huge hits. They talked candidly about women’s sexuality and empowerment when such topics were frowned upon, heavily criticized, and called taboo.”
In 1995 they became the first female rap group to win a Grammy, and in 2021, they received a Grammy lifetime achievement award.
Later this year they’ll become members of the Rock & Roll Hall of Fame when they receive the organization’s Musical Influence Award.
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AP Music Writer Maria Sherman contributed to this report.
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