According to a body language specialist, there was a moment of ‘fear’ in Bianca Censori’s demeanor as she casually discarded her black fur jacket at the Grammy Awards under the instruction of her spouse Kanye West.
During the event in Los Angeles, the 30-year-old was directed by the 47-year-old rapper to shed her outer garment on the red carpet, which she promptly did, unveiling a sheer nude mesh dress with no undergarments underneath.
Turning around to exhibit her exposed chest and lack of undergarments, Bianca seemed unfazed as West, a nominee in the Best Rap Song category, gazed at her in a suggestive manner.
Despite her daring look, UK-based body language expert Judi James saw a flicker of fear in Bianca’s eyes before she made the ‘ultimate, attention-seeking statement by baring it all’.
Analysing the photo, James exclusively told FEMAIL: ‘Her arrival in the coat came with a confident, superior, runway model stare but her glance up at Kanye before she removed it suggested a flicker of what looked like nerves.
‘It looked like nervousness made her break her own posing rule by laughing at one point.’
Once she had removed her black fur jacket, James noticed her eye expression change ‘to one that suppressed fear’.
She explained: ‘Her legs crossed, and the way she placed her hands uncharacteristically awkwardly on her hips hinted at some last-minute anxiety.’
Of course, it was Bianca’s look which stole the show while Kanye accompanied her in a subdued outfit – a black t-short and pants.
But the body language expert revealed that he was loving every second of the stunt.
‘Kanye peered down at his wife’s nipples as she posed on the Grammys red carpet as though they were some sort of scientific experiment,’ James said.
‘His moody expression showed barely a flicker of change as she shucked off her long fur coat to reveal all, but Bianca’s body language did seem to suggest a shift in emotional state as she made this ultimate, attention-seeking statement by baring all.’
She continued: ‘They struck one pose as a couple, with their arms around each other’s backs, and Bianca’s signature trait of standing with her shoulders squared and back arched did make this look as though it was as much her stunt as his.
‘The couple must be loving the way that they have managed to shock in pure rock ‘n roll style at an event where shocking has almost become the norm.’
Speaking to Page Six, an insider said that ‘the crazy outfit moment they pulled on the carpet was an attempt to replicate the album cover of Vultures.’
The album by the American hip hop group ¥$ made up of Kanye, formally known as Ye, and singer Ty Dolla Sign was released in February of last year.
The cover artwork features Ye decked out in all-black with his face completely covered.
Meanwhile Bianca is topless with her derriere ever so slightly covered by a sheer black piece of material that hugs her waist with a thin black wristband – not dissimilar to the sheer dress she donned at the Grammys.
The astonishing look is also similar to Kanye’s Famous music video which featured a naked lookalike of hitmaker Taylor Swift in bed with the rapper among other women including Kim Kardashian.
A source told The Sun that Kanye did not pull a ‘stunt’ at the Grammys, instead he considers Bianca’s outfit ‘art’.
‘He turned up, made headlines around the world and left, the source told the publication. ‘No one told him what to do and even if they had, he wouldn’t have listened.
‘Ye always planned to do the red carpet and leave — he’d never sit through the Grammys because it’s so dull and boring.’
It is not the first time Ye has been accused of turning the Australian-born architect into ‘artwork’ as a way to ‘paint his picture’.
Last June, the couple turned heads in Paris at the Prototypes Menswear Spring/Summer 2025 fashion show, where Kanye was clad in an all-white ensemble while Bianca showed off her pink locks in a revealing bodysuit.Â
Bianca was also pictured in Paris wearing an outfit made from flimsy sticky tape.
At the time, British PR expert Mark Borkowski told MailOnline that the eye-catching ensemble was West’s attempt to establish Censori as a pop culture figure on par with that of his former spouse Kim Kardashian.
‘This is a statement and Kanye West sees the media as his canvas and sees this as an opportunity to paint his picture,’ he said.
‘Bianca is his artwork and his muse and the person he influences to create a statement.’
Borkowski added: ‘I think this is a well sculptured PR stunt but artists create art and this is what Kanye West is doing.’
